Spring 1993
James Jensen: The album "Stealing Fire" saw acoustic guitar creep back into prominence on several tracks what brought that about?
BC: Some of those pieces I wrote on acoustic guitar, if I happen to
be holding an electric guitar in my hand when I get an idea it'll
probably end up on the record. A lot of the songs on my current
album (tentatively titled "Dart to the Heart") were written in hotel rooms and dressing rooms on the last tour so they're written on
acoustic guitar because that's what I had at the time. When I'm at
home and I have my stuff all set-up and plugged in I might write more
on the electric. A lot of "Big Circumstance" was written traveling and that's why the acoustic had a bigger role again on that record.
-- from an Interview by James Jensen at Sunset Sound, Los Angeles, circa
Spring 1993.
21 October 1994
"It's the first time I've ever done an album as focused as this one on the issue of the human heart," Cockburn says, discussing what could be called his first album of love songs. His love songs in the past, he says, have always had an emphasis in some other direction. Dart to the Heart keeps the emphasis close to the heart, a fact that even surprised Cockburn. "It was unusual to see it unfolding," he says. "The writing process is a random one. It's a case of grabbing what's there when the idea comes. I don't exercise a lot of editorial control over it until after the fact, so it is surprising, sometimes, to see where things are coming from."
-- from "Cockburn Darts to the Heart This Time" by Toni Ruperto, USAToday, 21 October 1994. Anonymous Submission
7 September 1996
Nora Young: What were you going for musically on this recording [The Charity of Night]?
BC: Something different. The last two albums, there's been a kind of deliberately "rootsy", if I can use that term, approach. Especially on [Nothing But a] Burning Light, and that carried over onto Dart to the Heart, which was the album that followed that.
-- from "Definitely Not the Opera", CBC Radio, Interviewer: Nora Young, 7 September 1996. Anonymous Submission.
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This page is part of The Cockburn Project, a unique website that exists to document the work of Canadian singer-songwriter and musician Bruce Cockburn. The Project archives self-commentary by Cockburn on his songs and music, and supplements this core part of the website with news, tour dates, and other current information.