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![]() Breakfast in New Orleans, Dinner in Timbuktu (1999) |
And look how far the light came
Look how far the light came
Look how far the light came
To paint you
This way
And look how far the light came
Look how far the light came
Look how far the light came
To paint you
This way
- from "Songwriting (part 2)" workshop, Conference '98 Festival of Faith and Writing, Lab Theatre, Calvin College. 4 April 1998. Anonymous submission.
from-- "The Rage of Bruce Cockburn", by Gerard Vos, Platenblad, translated into English by Arjan El Fassed, July, 1999.
"This is a song called 'Look How Far' and I've suggested that you follow this with a track from Ani DiFranco's album, last album and... um... it was actually running into Ani -- This is good! Long winded explantions of how songs came into being, I'm not really sure are worthwhile, but here goes another one anyway [laughs].
As I said, as I said one of the characteristics of the sort social side of what I do is this constant kind of, in a way, frustration of meeting people and bouncing off them and going away feeling like you've seen somebody that you've really wanted to see, but haven't had a chance to find out really anymore than the surface of how they are doing. And I had come away from one of those encounters with Ani in Toronto.
She was playing in Toronto when I was leaving town the same day to go do something else and so I got to catch a little of her before the soundcheck and then I took off. And that's what sort of set this song in motion, it could apply to her, it could apply to any number of people who would find themselves, or that I would find in the same way."
- from an interview/live performance with Laura Ellen, "Live in the Sty" programme, KPIG radio station, Freedom, California, 24 August 1999. Anonymous submission.
- from "Fire in an Open Hand" by Susan Adams Kauffman, The Other Side magazine, November/December 1999. Submitted by Nigel Parry.
-- interviewed by Ousman Jobarteh for "Mostly Manding", WERU-FM in Blue Hill, Maine, Tuesday 14 March 2000. Submitted by Suzanne Capobianco.