-- Two Row Times talks with Bruce Cockburn --
By Jim Windle

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5 February 2014 - The Two Row Times was fortunate enough to have an exclusive telephone interview with Bruce Cockburn from his home in San Francisco. Cockburn just got back from an extended tour of dates to rest up and visit with his family before heading out on the road again on a new string of dates including a stop at the Sanderson Centre for the Performing Arts in Brantford, February 15th.

The Canadian troubadour was born May 27th, 1945, in Ottawa, Ontario. At age 14, he picked up a guitar and began his life’s journey of mastering both his instrument and his craft as one of the most important songwriters of our age.

Since those early formative years, he has amassed an astounding 32 Juno Nominations of which he has won 11. Cockburn has also earned a list of awards too long to mention and has appeared on Saturday Night Live, the Tonight Show with Jay Leno, and Pete Seeger’s 90th birthday celebration among many other high profile events.

But, Cockburn is not just a very successful singer songwriter. He is also one of the world’s more outspoken celebrity humanitarians, environmental and Native Rights activists today.

Cockburn grew up in the hippy movement of the 1960’s and cut his musical teeth, and his social and political awareness on the so-called, “protest” bands and singer/songwriters of the era, which still seems to drive his creativity today, albeit in a deeper and at times more intense way.

TRT asked him if he feels any different from those days when racial equality and the Vietnam War were the topics of the new radical youth movement known as the ‘New Left’.

“I hope I have changed some,” he said about those early days. “In some ways we are always changing. In other ways we don’t change because we carry so much baggage with us when we go into anything. We hope that with life experience, and people we meet, we manage to change our perspective on what people are dealing with. I think it certainly happens to me and happens to everybody, unless they need some help or are impaired in some way. When we start out in life we feel like we are the centre of everything and we gradually have to unlearn our centrality. To some extent, time has softened me too,” he admits. “I’m more capable in recognizing other points of view than I was.”

But his social and environmental awareness actually began some years earlier.

“My parents, especially my father – although he wasn’t inclined to be what we call an activist today – was very aware of the world around him. I guess I was encouraged by example to be aware of what’s going on around me which gave me a bent towards social justice.”

He also points to one in particular, Elsie Beachant, his Grade 3 teacher, as being important to his own political curiosity and appreciation and openness to other points of view.

“She used the classroom at least once a week to read clippings from the newspaper and talk about them,” he recalls.

“One day, somebody brought in a clipping that talked about demonstrations by student ‘radicals’ in Turkey,” he remembers. “Somebody asked, what’s a radical, and nobody knew the answer. She said a radical is someone who thinks things need to be changed and is willing to get out on the street and make a public statement about that.”

He recalls his class reading about the U.S. Senator Joseph McCarthy trials during the Communist witch-hunt of the late 1950’s.

“She was talking about Pete Seeger and what a hero he was,” Cockburn recalls.

He has since had the opportunity to meet and play on the same venue as Seeger more than a few times, the latest time being the “Free Leonard Peltier” concert in New York a couple of years ago when Seeger was still performing into his 90’s.

Seeger died in New York City, January 27th, only days before we spoke with Cockburn.

“He was a powerful force for good in this world,” he says.

Cockburn says he can’t really point to anything in particular that started him singing about and speaking out on issues of concern and against the unfairness of racism and corporatism, but rather, he says all of those seeds cast throughout his life, even at a very young age, fell on fertile ground.

Cockburn has had his finger on the pulse of the world for a very long time, and that includes Aboriginal Rights and Treaty Rights for North, Central and South American Indigenous peoples.

“I started to become aware of Native issues when I started touring out west,” says Cockburn. “Growing up in Ottawa, if I knew any Native people, I didn’t know they were Natives.”

Like most non-Native kids in Canada, he grew up recognizing both the positive imagery of Native life, like campfires and an affinity for nature, as well as the negative Hollywood stereotypes.

“Out west, I started to meet some Aboriginal people and got pretty friendly with a couple of them,” he says.

They started telling the singer about things that were foreign to most Canadian’s image of a Native’s place in society.

Through these relationships, Cockburn also began to learn about the real history of Canada, which he and his generation had not heard of before.

“I was getting acquainted with individuals who had lived the experience that opened up my eyes about that,” Cockburn says. “And once you got your eyes opened, you start seeing it everywhere.”

As one might expect, Cockburn is very supportive of Neil Young’s recent “Honour the Treaties Tour,” which focused on both the ecological disaster of the Alberta tar sands, and the protection of the Native people living downstream from the site whose rights have been bulldozed away for the love of money.

“I think, good on him,” says Cockburn about Young. “It’s good that he is drawing people’s attention to that issue, and in particular, to the whole question of Aboriginal people in North American society. I think the urgent stuff is all around the treaties and around large Native urban centres. And there are issues around that too, like poverty and substance abuse.”

As far as he is concerned, “one cannot give these issues too much attention.”

“If you are a person with any kind of moral concern and you care about what happens to your fellows, then you have to take a position on that,” he challenges. “And there is only one position to take. They say that people need the jobs. That’s colonial thinking. It’s like saying, well let’s take all the ivory out of the Congo because we can. Jobs are not justification for what they are doing to the land and the Aboriginal people on it.”

In our conversation, we told Cockburn about the Great Law of the Haudenosaunee, and the wisdom found within it. He showed definite interest in finding out more and said he would look it up online and do some reading about it.

~ from

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This page is part of The Cockburn Project, a unique website that exists to document the work of Canadian singer-songwriter and musician Bruce Cockburn. The Project archives self-commentary by Cockburn on his songs and music, and supplements this core part of the website with news, tour dates, and other current information.